About a Poem: Patricia Donegan on Chiyo‑ni's "Way of Haiku" |
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CONCERNED ECOLOGISTS and visionaries are calling the present fragile
period of our planet "The Great Turning" - an ecological revolution
hopefully turning toward a higher state of awareness that recognizes the
interdependency of all things. To do this, suggestions have been made as
to "deep ecology," "deep time" and "deep play" - and now I am suggesting
"deep haiku."
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Haiku is especially usable in this regard; the awareness is actually built into the haiku form itself, because to write a good haiku one must include a kigo (season reference word) and so must get outside of oneself to see "today's wind/today's flower"-a tiny moment of forgetting the self and seeing what is truly here in this moment, this time, this place, by connecting to Nature, to Other. And so in order to aid in "the Great Turning," much more important than recording the haiku moment in writing is to use haiku as an "awareness practice," to be attentive to one's daily life as Chiyo-ni did, as witnessed in her haiku, which are known to have the clarity of "pure jade" or "pure water." |
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| rouged lips forgotten - clear spring water ~ |
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| green grass - between, between the blades the color of the water ~ |
moonflowers when a woman's skin is revealed ~ |
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when droppedit is only water -rouge flower dew~ |
clear water no front no back ~ |
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squatting the frog observes the clouds ~ |
green leaves or fallen leaves become one - in the fallen snow ~ |
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at her sewing the needle drops - the quail's cry ~ |
clear water is cool fireflies vanish there's nothing more [Chiyo-ni's death haiku] |
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Left: woodblock print of Chiyo-ni |
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| PATRICIA DONEGAN is poetry editor of the Kyoto Journal and on the faculty of Naropa University's East-West poetics department. Her works include Without Warning; Chiyo-ni: Woman Haiku Master (co-authored with Yoshie Ishibashi); and Haiku: Asian Arts and Crafts for Creative Kids. These haiku are selected from co-translations by Patricia Donegan and Yoshie Ishibashi. | |||
| This article appeared in the January 2007 issue of the Shambhala Sun. You may want to pick up a copy of that widely-read journal. | |||